浅析崔白《双喜图》的艺术特色对个人创作的影响摘要崔白的《双喜图》是北宋时期中国花鸟画的代表作,由绢本绘制而成,长193.7厘米,宽103.4厘米。这幅画创作于宋代1061年。这件作品目前保存在台北故宫博物院。在《双喜图》中,他将野兔的机警和喜鹊的灵动活泼展现得淋漓尽致,通过对动物形态和动作的精准描绘,捕捉自然中的生机与活力,展现了自然生物的蓬勃生命力,表达了对自然生命的尊重与赞美,在作品中展现生命的力量。在北宋绘画变革的浪潮中,崔白以其独特艺术风格与创新精神成为关键人物。故本研究综合运用文献梳理等方法,深度剖析崔白画作,揭示技法、笔墨语言、铺陈布势及野逸风格的形成过程,以及突破“黄家富贵”传统的艺术实践。并且发掘崔白的艺术特色对我个人的启迪影响,让我充分了解学习崔白的丰富形象以及个性创作的艺术特点,让我汲取艺术养分,学习相关的崔白创作手法和表达方法,并理性的看待崔白《双喜图》。关键词:崔白《双喜图》:艺术特色:构图:技法:意蕴AbstractCui Bai's "Double Happiness Painting"is a representative work of Chinese flower andbird painting during the Northern Song Dynasty.It was drawn on silk,measuring 193.7centimeters in length and 103.4 centimeters in width.This painting was created in 1061during the Song Dynasty.This work is currently preserved in the National Palace Museum inTaipei.In"Double Happiness",he vividly portrays the alertness of wild rabbits and the agilityand liveliness of magpies.Through precise depictions of animal forms and movements,hecaptures the vitality and energy of nature,showcasing the vigorous vitality of naturalorganisms and expressing respect and praise for natural life.In his works,he showcases thepower of life.In the wave of painting reform in the Northern Song Dynasty,Cui Bai became akey figure with his unique artistic style and innovative spirit.Therefore,this studycomprehensively uses methods such as literature review and critical thinking to deeplyanalyze Cui Bai's paintings,revealing the formation process of techniques,brushworklanguage,layout,and wild style,as well as the artistic practice of breaking through thetraditional "Huang Family Wealth and Prosperity".And the exploration of Cui Bai's artisticcharacteristics has had a profound impact on my personal enlightenment,allowing me to fullyunderstand and learn from Cui Bai's rich image and unique artistic features.This has allowedme to absorb artistic nutrients,learn related Cui Bai's creative techniques and expressionmethods,and rationally view Cui Bai's "Double Happiness Picture".Keywords:Cui Bai's "Double Happiness Picture";Artistic features;Composition;Techniques;implication目录一、《双喜图》及崔白.......。1(一)《双喜图》的作者与创作背景...1(二)崔白的写生精神影响......2二、崔白《双喜图》艺术特色的形成(一)《双喜图》取景构图的巧妙之处.4(二)《双喜图》的笔墨表现与技法..….5(三)《双喜图》的意蕴表达....7三、崔白《双喜图》对个人创作的启示..·(一)技法与笔墨语言的运用....9(二)意蕴表达的提升与深化....10四、结语..13参考文献.....14浅析崔白《双喜图》的艺术特色对个人创作的影响《双喜图》及崔白(一)《双喜图》的作者与创作背景崔白,字子西,濠梁(今安徽凤阳)人,擅长自然和质朴的绘画风格,为北宋革新派画家。《宣和画谱》中记载:“祖宗以来,图画院之较艺者,必以黄筌父子笔法为程式,自白及吴元瑜出,其格遂变。”①早期的北宋画院,黄筌、黄居寀父子的“黄家富贵”画风仍占据主导地位,其特点是以细腻的笔触和鲜艳的色彩描绘宫廷中的奇花异鸟,具有华丽富贵的风格。随着时间的推移,这种画风逐渐变得程式化,缺乏生气。崔白的出现,打破了这种局面,他受当时重写生风尚的影响以自然为师,将写生与创作相结合,以色辅墨,融入写意画法,开启了北宋花鸟画新的格局。崔白加入北宋图画院打破“皇家富贵”局面,影响了北宋图画院的主流绘画风格,当时社会从追求华丽转向崇尚自然。崔白所作《双喜图》的绘画风格与北宋的画作有所不同。《宣和画谱》中记载:崔白作画“所画无不精绝,落笔运思即成,不假以绳尺,曲直方圆,皆中法度。”®崔白的用笔方圆相间,中锋与侧锋的变化更为明显,更为自如,显得十分浑厚,有力量感。在理论层面,崔白作为北宋画坛的革新先锋,凭借一己之力打破了长期主导北宋宫廷绘画的传统体制。通过对他展开深入研究,能够发现在其早期的创作风格中也是具有宫廷绘画的风格,但在其后期创作上风格特色逐渐显露具有明显的独特风格。崔白的代表作《双喜图》是他后期风格转型最具代表性的作品。他的花鸟画改变了传承下来的黄筌画派统一景观,为宋代花鸟画的发展做出了贡献。崔白在绘画写生时极其强调对绘画中自然的终极追求,为宋代以后的绘画创作产生了重大影响,深刻影响了后代花鸟画家的创作表现。通过对崔白《双喜图》的绘画风格中的
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