李清照《词论》研究

李清照《词论》研究目录一绪论…6二李清照《词论》的产生与流传...9(一)《词论》创立的背景.....91.唐五代词：从民间到文人的转型..…92.北宋词坛的多元探索..93.李清照与《词论》的产生...........…10(二)《词论》的创作与流传..··101.《词论》的成书过程..………102.《词论》的版本流传........11三《词论》的理论主张……14(一)主张“词别是一家”一一词与诗的分野.…141.词与诗的本质上的不同.……142.“词别是一家”与“词自是一家”153.“协音律”一一《词论》的理论主张164.“尚典雅”一一《词论》的理论主张175.“重铺叙”一一《词论》的理论主张18第四章《词论》思想在李词中的实践...·20(一)“协音律”音律与情感的悲怆交响..20(二)“尚典雅”典雅意象与士人风骨.·.…….21(三)“重铺叙”今昔对照与时空铺叙的哀歌........·..22第五章《词论》对后世文学史的影响.。24(一)李清照词论的争议与批评...........…241.同代文人的评价..242.后世接受的两极化24(二)李清照《词论》思想的贡献与影响.·26结语.……28参考文献……29致谢.…291李清照《词论》的研究摘要：本文以李清照《词论》为核心研究对象，系统探讨其理论主张、创作实践及文学史影响。论文首先梳理了词学发展的历史背景对李清照的影响，词学理论发展到宋代形成了以诗为词和直白俚俗两种倾向，李清照在《词论》中针对这些问题，提出了“词别是一家”的理论主张。为了将词与诗区别，她系统归纳了词体的音乐性、典雅性、铺叙性等文学体裁特点。论文还详细分析了李清照的代表作品《声声慢》《如梦令》《醉花阴》等，从词语音律到情感意境上分析论证了，李清照的严格实践了自己“协音律“尚典雅“重铺叙”的理论主张李清照在创作中严格遵守词牌的音律要求，用词委婉典雅，巧妙的运用铺叙等写作手法将情感层层叠加，体现了词体独特的魅力。最后归纳了对《词论》的不同评价与争议，李清照所著《词论》不仅在宋代引起了文人的激烈讨论，更在后世词学发展中起到了重要作用，特别是在词体规范、文学批评和文化传承中为我们提供了典范。关键词：李清照：《词论》；词别是一家；宋词：词学理论2A Study on Li Qingzhao's Ci LunAuthor:Ding Jingyi Tutor:Zheng Tianxi(Department of Computer Science and Technology,School of Information Scienceand Technology,HaiNan Normal University,HaiKou,571158)Abstract:This paper focuses on Li Qingzhao's Ci Lun as its core subject,systematicallyexploring its theoretical propositions,creative practices,and its impact on literary history.Thethesis first reviews the historical background of the development of Ci poetry and its influence onLi Qingzhao.By the Song Dynasty,the theory of Ci poetry had developed into two tendencies:writing Ci in the style of poetry and using straightforward and colloquial language.In her"Discourse on Ci",Li Qingzhao addressed these issues and put forward the theoretical propositionthat "Ci is a distinct genre".To distinguish Ci from poetry,she systematically summarized themusicality,elegance,and narrative nature of the Ci form as literary characteristics.The thesis alsoconducts a detailed analysis of Li Qingzhao's representative works such as "Slow Sounds","Dream Command",and "Drunk under the Flowers",demonstrating from the perspective of Ci'sphonetic rhythm and emotional atmosphere that Li Qingzhao strictly adhered to her theoreticalpropositions of "conforming to musical rhythm","valuing elegance",and "emphasizing narrative".In her creation,Li Qingzhao strictly followed the musical requirements of Ci pattems,used wordsthat were gentle and elegant,and skillfully employed narrative techniques to layer emotions,highlighting the unique charm of the Ci form.Finally,the thesis summarizes the differentevaluations and controversies surrounding "Discourse on Ci".Li Qingzhao's "Discourse on Ci"not only sparked intense discussions among scholars in the Song Dynasty but also played asignificant role in the subsequent development of Ci poetry theory,especially in thestandardization of Ci forms,literary criticism,and cultural inheritance,providing a model for us.Keywords:Li Qingzhao;Ci Lun;Ci as a Distinct Literary Genre;Song Dynasty ci poetry;cipoetics.3一绪论李清照作为宋代著名