写实与笔墨的碰撞——杨之光舞蹈题材水墨人物画研究

写实与笔墨的碰撞一杨之光舞蹈题材水墨人物画研究摘要中国舞蹈题材绘画历史悠久，最早可追溯至新石器时代，这种题材的绘画经历了时代的演变，产生出了新的形式。在舞蹈题材绘画的演变中，出现了众多杰出的画家，杨之光就是其中的一员，他所做出的创新与贡献是不可忽视的。本文将从杨之光的舞蹈题材绘画入手，通过文献分析、图像研究等方法，讨论他将笔墨与写实相融合、对“没骨法”进行改革，多样的舞蹈题材选择等方面，研究杨之光在的舞蹈题材水墨人物画上带来的贡献以及启示。本文以杨之光舞蹈题材水墨人物画的个案研究为主，主要分为四个章节来阐述我的研究内容与论述过程：第一章是对杨之光先生的生平经历进行系统的梳理，详细了解杨之光在舞蹈题材人物画上的成长过程以及实践成果，根据不同阶段分为求索期、探索期、成熟期三个部分，逐步了解杨之光艺术风格形成的原因与过程。第二章是对杨之光舞蹈题材人物画代表作品《孔雀舞》的写实与笔墨技法两方面进行细致分析，直观地了解杨之光在舞蹈题材中的艺术风格。第三章是对杨之光舞蹈题材水墨人物画的艺术风格总体探究，主要探讨杨之光技法与风格的融合、杨之光舞蹈题材画法的独特特征、以及形式与意境的统一，以解读杨之光的艺术风格总体情况。第四章是讨论杨之光在舞蹈题材人物画的文化意义与创新价值，探讨杨之光舞蹈作品带来的借鉴意义。本研究通过系统性的分析杨之光舞蹈题材水墨人物画，揭示杨之光在中西艺术融合、“没骨法”的创新转化等方面的突出贡献。剖析他的这些创新实践，可以进一步完善舞蹈题材人物画的理论体系，为推动该题材在当代艺术创作中更加繁荣贡献一份力量。同时，对杨之光的水墨人物画技法的研究，也有助于我们更加了解杨之光的绘画风格，增加对画家杨之光的认识。关键词：杨之光：舞蹈题材：笔墨；写实ABSTRACTChinese dance themed painting has a long history,dating back to the NeolithicAge.This type of painting has undergone the evolution of the times,giving rise tonew forms.In the evolution of dance themed painting,numerous outstanding paintershave emerged,and Yang Zhiguang is one of them.His innovation and contributionscannot be ignored.This article will start with Yang Zhiguang's dance themed paintings,and through literature analysis,image research and other methods,discuss hisintegration of brush and ink with realism,reform of the "boneless method",anddiverse choices of dance themes.It will study Yang Zhiguang's contributions andinspirations in his dance themed ink figure paintings.This article mainly focuses on the case study of Yang Zhiguang's dance themedink figure painting,and is mainly divided into four chapters to elaborate on myresearch content and discussion process.The first chapter systematically sorts out Mr.Yang Zhiguang's life experience,and provides a detailed understanding of his growthprocess and practical achievements in dance themed figure painting.According todifferent stages,it is divided into three parts:exploration period,exploration period,and maturity period,gradually understanding the reasons and process of YangZhiguang's artistic style formation.Chapter 2 provides a detailed analysis of YangZhiguang's representative work of dance themed figure painting,"Peacock Dance,"interms of realism and brushwork techniques,in order to intuitively understand YangZhiguang's artistic style in dance themes.Chapter 3 is an overall exploration of theartistic style of Yang Zhiguang's dance themed ink figure paintings,mainly exploringthe integration of Yang Zhiguang's techniques and styles,the unique characteristics ofYang Zhiguang's dance themed painting techniques,and the unity of form and artisticconception,in order to interpret the overall situation of Yang Zhiguang's artistic style.Chapter 4 discusses the cultural significance and innovative value of Yang Zhiguang'sdance themed figure paintings,and explores the reference significance brought byYang Zhiguang's dance works.This study systematically analyzes Yang Zhiguang's dance themed ink figurepaintings,revealing Yang Zhiguang's outstanding contributions in t